di Luca Desiderato
Per ottenere stili artistici da una foto o da un soggetto[7] descritto, i 27 prompt[13] dichiarano materiali e tecniche, dall’acquerello al cubismo. I 18 comandi con foto di partenza usano Luca o Lia come riferimento. La pagina contiene 45 immagini tra partenze e risultati.
Sommario
/acquerello· Acquerello/sumie· Sumie/noir[14]· Schizzo noir/lavagna· Lavagna/claymorph· Claymorph/legno· Legno/liveaction· Live action/poster· Poster/3dfeature· 3D da lungometraggio/anime90· Anime anni Novanta/animehand· Anime dipinto a mano/claymation· Claymation/comicpanel· Fumetto a vignette/flatvector· Vettoriale piatto/isometric· 3D isometrico/pixel8bit· Pixel[15] art 8-bit/bricks· Mattoncini a incastro/felt· Pupazzi di feltro/lowpoly· Low poly/origami· Origami/cutout· Ritaglio di cartoncino/cyberneon· Cyberpunk neon/studioanim· Animazione calda da studio/artnouveau· Pannello decorativo/cubismo· Pittura cubista/espressionismo· Pittura espressionista/popart· Serigrafia a quattro colori
Come è costruito il comando
Diciassette comandi aprono con il mezzo: THE MEDIUM IS WATERCOLOUR ON COLD-PRESSED PAPER. Gli altri dichiarano una costruzione, come STRICT AXONOMETRIC PROJECTION.
Seguono materia e limiti, con Every part of him is o WHAT SHE IS MADE OF.
Nei quattro ritratti di Lia l’ancora è THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Sette comandi usano The subject rendered in this medium:. Otto descrivono Luca dopo The man is the man in the supplied reference[8] image:.
/acquerello · Acquerello
Una figura intera[2] resa con pigmento lavato su carta per acquerello. I colori si incontrano ai bordi, il pigmento si accumula nelle parti asciutte e il bianco della carta resta nelle zone più chiare.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 294 parole
La mossa che c’è dentro. La carta è parte della richiesta: paper grain is visible everywhere. Restano anche a few loose graphite guide lines sotto la pittura.
Il prompt
THE MEDIUM IS WATERCOLOUR ON COLD-PRESSED PAPER. Every part of him is washed pigment: colours bleed into each other at the edges, pigment pools and darkens where a wash dried, the white of the paper shows through the lighter passages, the paper grain is visible everywhere, a few loose graphite guide lines survive under the paint. A painting on a sheet of watercolour paper.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS WATERCOLOUR ON COLD-PRESSED PAPER. Every part of him is washed pigment: colours bleed into each other at the edges, pigment pools and darkens where a wash dried, the white of the paper shows through the lighter passages, the paper grain is visible everywhere, a few loose graphite guide lines survive under the paint. A painting on a sheet of watercolour paper.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Per usarlo su altro. Il prompt non ha un blocco di soggetto separato. Il soggetto è indicato solo da him: per cambiarlo va riscritta la descrizione della figura senza togliere carta, pigmento e linee guida[5].
/sumie · Sumie
Una figura intera in inchiostro nero su carta di riso, costruita con circa quindici segni. Le gambe, le scarpe e la felpa sono ciascuna richieste come gruppi di pennellate.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 325 parole
La mossa che c’è dentro. Il limite numerico è scritto nell’apertura: THE WHOLE FIGURE IS ABOUT FIFTEEN STROKES. Ogni forma è data una volta sola e never corrected.
Il prompt
THE MEDIUM IS BLACK SUMI INK ON RICE PAPER, AND THE WHOLE FIGURE IS ABOUT FIFTEEN STROKES. Each form is stated once with a loaded bamboo brush and never corrected. A stroke begins wet and black, then dries out to grey and splits into ragged fibres as the brush empties. Most of the sheet is left as bare unbleached paper, and the paper reads as air. Each leg is one downward stroke, each shoe one short flick, the sweatshirt three broad strokes in yellow ink. The face is the only place where the brush slows down, drawn with a fine tip. Nothing is outlined and nothing is shaded. An ink painting on a hanging sheet of rice paper.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS BLACK SUMI INK ON RICE PAPER, AND THE WHOLE FIGURE IS ABOUT FIFTEEN STROKES. Each form is stated once with a loaded bamboo brush and never corrected. A stroke begins wet and black, then dries out to grey and splits into ragged fibres as the brush empties. Most of the sheet is left as bare unbleached paper, and the paper reads as air. Each leg is one downward stroke, each shoe one short flick, the sweatshirt three broad strokes in yellow ink. The face is the only place where the brush slows down, drawn with a fine tip. Nothing is outlined and nothing is shaded. An ink painting on a hanging sheet of rice paper.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]Per usarlo su altro. Sostituisci il blocco della figura intera con il segnaposto[9]. Il prompt assegna tre pennellate gialle alla felpa: per un altro capo va riscritta anche quella frase.
/noir · Schizzo noir
Una figura intera in nero e bianco su carta ruvida. Le ombre entrano nella figura come campiture nere, mentre le zone chiare restano carta non coperta.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 303 parole
La mossa che c’è dentro. Il contrasto[10] è espresso come limite: pure black or bare white with almost nothing in between. Il tratteggio compare solo dove a plane turns.
Il prompt
THE MEDIUM IS BRUSH AND INDIA INK ON ROUGH PAPER, HIGH-CONTRAST NOIR. Every part of him is pure black or bare white with almost nothing in between: shadows are solid black shapes that eat into the figure, highlights are untouched paper, edges are chiselled with a dry brush, hatching appears only where a plane turns. A noir comics illustration with one hard light source low and to the side, throwing a long shadow.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS BRUSH AND INDIA INK ON ROUGH PAPER, HIGH-CONTRAST NOIR. Every part of him is pure black or bare white with almost nothing in between: shadows are solid black shapes that eat into the figure, highlights are untouched paper, edges are chiselled with a dry brush, hatching appears only where a plane turns. A noir comics illustration with one hard light source low and to the side, throwing a long shadow.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Per usarlo su altro. Il prompt non concentra il soggetto in un blocco separato. Per cambiare figura va riscritta la frase sul soggetto, lasciando il rapporto fra nero, carta e tratteggio.
/lavagna · Lavagna
Una figura intera fatta di gesso colorato su una lavagna nera. I tratti sono polverosi e friabili e restano sopra l’ardesia.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 271 parole
La mossa che c’è dentro. Il mezzo è dichiarato con COLOURED CHALK ON A BLACK SLATE BLACKBOARD. Il blocco del soggetto arriva dopo The subject rendered in this medium:.
Il prompt
THE MEDIUM IS COLOURED CHALK ON A BLACK SLATE BLACKBOARD. Every part of him is chalk: strokes are dusty and crumbly and sit on top of the slate rather than in it, the pressure varies so lines fade and thicken, smudged fingerprints and half-erased ghost lines are visible around the figure, the black slate shows through everywhere. A photograph of a classroom blackboard drawing.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS COLOURED CHALK ON A BLACK SLATE BLACKBOARD. Every part of him is chalk: strokes are dusty and crumbly and sit on top of the slate rather than in it, the pressure varies so lines fade and thicken, smudged fingerprints and half-erased ghost lines are visible around the figure, the black slate shows through everywhere. A photograph of a classroom blackboard drawing.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]Per usarlo su altro. Sostituisci il blocco della figura intera con il segnaposto. La descrizione iniziale fa ogni parte di gesso: conserva anche lavagna e qualità polverosa del tratto.
/claymorph · Claymorph
Una figura intera come scultura opaca color pastello. Ogni parte è un volume semplice e tutti gli angoli sono arrotondati.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 340 parole
La mossa che c’è dentro. La prima riga impone EVERY CORNER ROUNDED OFF. Il soggetto entra dopo The subject rendered in this medium:, separato dalla dichiarazione della scultura.
Il prompt
THE MEDIUM IS A MATTE PASTEL SCULPTURE WITH EVERY CORNER ROUNDED OFF. Each part of him is one simple volume with a generous fillet on every edge, as if the whole figure had been tumbled smooth: fingers become a rounded mitten, the camera becomes a rounded block, the headphones become two soft discs. The surfaces are chalky and matte with only a faint sheen at the top of each volume. Shadows are very wide and very soft. The palette is pale and powdery throughout: cream, dusty rose, powder blue, with the sweatshirt in a soft muted yellow. A clean studio render of a small sculpture on a flat cream ground.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A MATTE PASTEL SCULPTURE WITH EVERY CORNER ROUNDED OFF. Each part of him is one simple volume with a generous fillet on every edge, as if the whole figure had been tumbled smooth: fingers become a rounded mitten, the camera becomes a rounded block, the headphones become two soft discs. The surfaces are chalky and matte with only a faint sheen at the top of each volume. Shadows are very wide and very soft. The palette is pale and powdery throughout: cream, dusty rose, powder blue, with the sweatshirt in a soft muted yellow. A clean studio render of a small sculpture on a flat cream ground.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Per usarlo su altro. Sostituisci il blocco della figura intera con il segnaposto. La frase iniziale governa ogni volume: mantieni gli angoli arrotondati se cambi soggetto o oggetti.
/legno · Legno
Una figura intera scolpita in un unico blocco di legno chiaro e caldo. Le facce lasciate dallo scalpello restano non levigate e la venatura attraversa tutta la figura.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 306 parole
La mossa che c’è dentro. Il materiale è unitario: cut from a single block of warm pale wood. Il prompt conserva chisel facets e una venatura continua.
Il prompt
THE MEDIUM IS CARVED WOOD. Every part of him is cut from a single block of warm pale wood: the chisel facets are left unsanded and catch the light, the grain runs continuously through the whole figure and bends around the forms, knots and darker growth rings interrupt the surface, the sweatshirt is a painted yellow stain that lets the grain read through. A photograph of a hand-carved wooden figure on a workbench, warm raking light.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS CARVED WOOD. Every part of him is cut from a single block of warm pale wood: the chisel facets are left unsanded and catch the light, the grain runs continuously through the whole figure and bends around the forms, knots and darker growth rings interrupt the surface, the sweatshirt is a painted yellow stain that lets the grain read through. A photograph of a hand-carved wooden figure on a workbench, warm raking light.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Per usarlo su altro. Sostituisci il blocco della figura intera con il segnaposto. La foto di riferimento è guida per volto e guardaroba soltanto: non aggiungere superfici estranee al legno.
/liveaction · Live action
Una fotografia di una persona reale, a figura intera, con luce morbida[3] da finestra a sinistra e sfondo da studio senza giunte.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 270 parole
La mossa che c’è dentro. La prima parte distingue le superfici: skin has pores e la barba ha individual stray hairs. La camera è dichiarata: A 50mm photograph of a real person.
Il prompt
THE MEDIUM IS PHOTOGRAPHY. Every part of him is a real surface in real light: skin has pores and a shine on the forehead, the beard has individual stray hairs, the sweatshirt cotton is slightly pilled and creased where the arm bends, the camera body has scuffs along its edges. A 50mm photograph of a real person, soft window light from the left, shallow depth of field, plain seamless grey studio backdrop.
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
The man is the man in the supplied photograph and his face is unchanged: an Italian videomaker in his late forties, completely bald with no hair anywhere on his head or at the sides and a wide high rounded crown, thick rectangular black-framed glasses with flat tops, a LONG full wiry beard dark brown and heavily shot through with grey and silver along the cheeks and sides, curling and reaching well below his chin down onto his chest, a dark moustache above it, thick dark eyebrows, eyes narrowed by a broad open smile that clearly shows his upper teeth, a broad face with full cheeks, light Mediterranean skin. Heavy build with a soft belly and broad rounded shoulders, large hands.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers. In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds a closed laptop against his side.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS PHOTOGRAPHY. Every part of him is a real surface in real light: skin has pores and a shine on the forehead, the beard has individual stray hairs, the sweatshirt cotton is slightly pilled and creased where the arm bends, the camera body has scuffs along its edges. A 50mm photograph of a real person, soft window light from the left, shallow depth of field, plain seamless grey studio backdrop.
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
[SOGGETTO: uomo della foto di riferimento, volto, corporatura, guardaroba e oggetti descritti]Per usarlo su altro. Sostituisci il blocco che inizia con The man is the man in the supplied photograph tramite il segnaposto. Il blocco LUCA precedente fissa inquadratura[4] e non sostituisce volto, corporatura, guardaroba e oggetti.
/poster · Poster
Una figura intera in inchiostro da poster serigrafato degli anni Cinquanta. Il rettangolo è solo illustrazione, senza lettere.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 335 parole
La mossa che c’è dentro. Il prompt specifica UNTITLED ILLUSTRATION PROOF PULLED BEFORE ANY LETTERING IS ADDED. Poi ribadisce: pure illustration, blank of type.
Il prompt
THE MEDIUM IS 1950s SCREEN-PRINTED POSTER INK, AND THIS IS THE UNTITLED ILLUSTRATION PROOF PULLED BEFORE ANY LETTERING IS ADDED. Every part of him is a flat field of ink: five inks only, no gradients anywhere, shapes reduced to clean geometry, thin outlines that sit slightly out of register where two inks overlap, visible paper tooth and a little ink fade at the edges of the larger fields. The palette is warm ochre, deep teal, brick red, off-white and poster yellow for the sweatshirt. The figure fills the sheet on a flat ochre ground, and the whole rectangle is image: pure illustration, blank of type.
The subject rendered in this medium:
LUCA, full figure, standing, front view, centred in frame, feet visible, camera at his eye level.
A 40-year-old Italian videomaker. Completely shaved bald head with a wide rounded crown. Thick rectangular black-framed glasses. Full short dark-brown beard with a rounded jawline, a few grey hairs. Thick raised eyebrows. Ordinary almond-shaped eyes of normal size, relaxed eyelids partly covering the top of the iris, large warm brown irises filling most of the eye, calm friendly gaze. Mouth slightly open in a warm smile. Light Mediterranean skin, full cheeks.
Average height, ordinary build with a soft belly, rounded shoulders, large hands. Relaxed asymmetric stance: his weight on his right leg, his left shoulder slightly lower under the weight of the laptop.
He wears a bright yellow hooded sweatshirt (hex FCD900), hood down, cuffs slightly worn. Black over-ear studio headphones rest around his neck. Dark jeans. Plain neutral sneakers.
In his right hand he holds a small black mirrorless camera, low along his thigh. In his left arm he holds an open laptop against his chest, screen turned towards him.
Warm, friendly, approachable presence, slightly rumpled, like a colleague on set. Plain flat background, single colour. Vertical 4:5 composition, full body inside the frame.
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS 1950s SCREEN-PRINTED POSTER INK, AND THIS IS THE UNTITLED ILLUSTRATION PROOF PULLED BEFORE ANY LETTERING IS ADDED. Every part of him is a flat field of ink: five inks only, no gradients anywhere, shapes reduced to clean geometry, thin outlines that sit slightly out of register where two inks overlap, visible paper tooth and a little ink fade at the edges of the larger fields. The palette is warm ochre, deep teal, brick red, off-white and poster yellow for the sweatshirt. The figure fills the sheet on a flat ochre ground, and the whole rectangle is image: pure illustration, blank of type.
The subject rendered in this medium:
[SOGGETTO: figura intera, in piedi, descritta come nei nostri esempi]
The reference image is a likeness guide for his face and wardrobe only. The medium described above governs every surface and every material.Per usarlo su altro. Sostituisci il blocco della figura intera con il segnaposto. Conserva l’assenza di testo: il prompt definisce una prova di illustrazione prima dell’aggiunta di lettere.
/3dfeature · 3D da lungometraggio
Un personaggio 3D a figura intera, con pelle, felpa, barba e occhi resi come superfici separate. La luce ha una chiave calda, un bordo freddo e ombre nelle pieghe.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 176 parole
La mossa che c’è dentro. La pelle è legata a subsurface scattering su orecchie e naso. La barba è descritta come thousands of individual guide hairs.
Il prompt
THE MEDIUM IS A FRAME FROM A 3D ANIMATED FEATURE FILM. He is a fully rendered character: subsurface scattering warms the skin at the ears and the nose, the sweatshirt has simulated cloth folds and a fine fabric weave, the beard is groomed as thousands of individual guide hairs, and the eyes have a wet specular highlight. Three-point cinematic lighting with a warm key and a cool rim, soft ambient occlusion in the folds, and a shallow rendered depth of field. Appealing, slightly caricatured proportions: the head a little large, the hands broad.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A FRAME FROM A 3D ANIMATED FEATURE FILM. He is a fully rendered character: subsurface scattering warms the skin at the ears and the nose, the sweatshirt has simulated cloth folds and a fine fabric weave, the beard is groomed as thousands of individual guide hairs, and the eyes have a wet specular highlight. Three-point cinematic lighting with a warm key and a cool rim, soft ambient occlusion in the folds, and a shallow rendered depth of field. Appealing, slightly caricatured proportions: the head a little large, the hands broad.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Mantieni luce, superfici renderizzate e proporzioni leggermente caricaturali.
/anime90 · Anime anni Novanta
Un fotogramma scansionato da un film animato giapponese degli anni Novanta. La pittura dei cel è poco satura, il contorno è marrone scuro e lo sfondo è una città dipinta al crepuscolo.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 229 parole
La mossa che c’è dentro. Il prompt chiede Film grain sull’intero fotogramma e una registrazione del cel a hair imperfect. Prima del soggetto limita gli arti con HE HAS EXACTLY TWO ARMS AND TWO HANDS.
Il prompt
THE MEDIUM IS A 35MM FRAME FROM A 1990s JAPANESE ANIMATED FILM, SCANNED. The cel paint is slightly desaturated and the line is a dark brown ink, not black. Film grain sits over the whole frame, the registration of the cel against the background is a hair imperfect, and there is a faint halation around the bright yellow of his sweatshirt. Heavy dramatic shadows across the face in one flat tone. The background is a painted city interior at dusk.
HE HAS EXACTLY TWO ARMS AND TWO HANDS, no more, and both of them are occupied as follows and in no other way: his right hand holds a small black mirrorless camera hanging LOW along his thigh, and his left arm holds an open laptop against his chest. He is NOT raising a camera to his eye, he is NOT taking a photograph, and there is no third arm, no extra hand and no spare limb anywhere in the picture. He simply stands still, facing the camera.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A 35MM FRAME FROM A 1990s JAPANESE ANIMATED FILM, SCANNED. The cel paint is slightly desaturated and the line is a dark brown ink, not black. Film grain sits over the whole frame, the registration of the cel against the background is a hair imperfect, and there is a faint halation around the bright yellow of his sweatshirt. Heavy dramatic shadows across the face in one flat tone. The background is a painted city interior at dusk.
HE HAS EXACTLY TWO ARMS AND TWO HANDS, no more, and both of them are occupied as follows and in no other way: his right hand holds a small black mirrorless camera hanging LOW along his thigh, and his left arm holds an open laptop against his chest. He is NOT raising a camera to his eye, he is NOT taking a photograph, and there is no third arm, no extra hand and no spare limb anywhere in the picture. He simply stands still, facing the camera.
[SOGGETTO: uomo della foto di riferimento, con abiti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Camera e laptop sono già descritti nel paragrafo precedente, insieme al limite di due braccia e due mani.
/animehand · Anime dipinto a mano
Una figura intera con contorno sottile, colori piatti e due toni per ogni superficie. Dietro, uno sfondo a gouache con pennellate visibili e fuori fuoco.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 160 parole
La mossa che c’è dentro. Il limite è numerico: exactly two tones per surface. L’ombra ha un bordo duro e il prompt esclude no gradients anywhere.
Il prompt
THE MEDIUM IS A HAND-PAINTED ANIMATION CEL OVER A PAINTED BACKGROUND. He is drawn with a thin even ink line and filled with flat cel colour, with exactly two tones per surface: a base and one hard-edged shadow, no gradients anywhere. The background behind him is painted in soft gouache with visible brushwork, out of focus, a different technique from the figure. His eyes are drawn large and clear with a single white highlight. Warm afternoon light.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A HAND-PAINTED ANIMATION CEL OVER A PAINTED BACKGROUND. He is drawn with a thin even ink line and filled with flat cel colour, with exactly two tones per surface: a base and one hard-edged shadow, no gradients anywhere. The background behind him is painted in soft gouache with visible brushwork, out of focus, a different technique from the figure. His eyes are drawn large and clear with a single white highlight. Warm afternoon light.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Conserva la differenza fra figura a cel e sfondo a gouache.
/claymation · Claymation
Una figura intera in plastilina modellata a mano, fotografata su un set stop[16]-motion. Ci sono impronte di pollice, segni paralleli dello strumento e una giunzione sulla spalla.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 174 parole
La mossa che c’è dentro. Il prompt esclude la pittura: i colori sono the flat opaque colours of the clay itself, never painted. La profondità di campo[1] è quella di un tavolo.
Il prompt
THE MEDIUM IS HAND-MODELLED PLASTICINE, PHOTOGRAPHED ON A STOP-MOTION SET. Every part of him is modelled clay: the surface carries thumbprints and the fine parallel drag marks of a sculpting tool, the edges are slightly soft and uneven where they were pressed together, and the colours are the flat opaque colours of the clay itself, never painted. A seam runs where two pieces of clay were joined at the shoulder. Small practical lights on a tabletop set, a shallow tabletop depth of field, and a plain painted backdrop card behind him.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS HAND-MODELLED PLASTICINE, PHOTOGRAPHED ON A STOP-MOTION SET. Every part of him is modelled clay: the surface carries thumbprints and the fine parallel drag marks of a sculpting tool, the edges are slightly soft and uneven where they were pressed together, and the colours are the flat opaque colours of the clay itself, never painted. A seam runs where two pieces of clay were joined at the shoulder. Small practical lights on a tabletop set, a shallow tabletop depth of field, and a plain painted backdrop card behind him.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Tieni impronte, segni dello strumento, giunzioni e fondale dipinto.
/comicpanel · Fumetto a vignette
Una figura intera dentro una singola vignetta con bordo nero spesso e fondo piatto. Il contorno è a pennello, le ombre tratteggiate e i colori sono retini piatti.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 161 parole
La mossa che c’è dentro. Il retino è richiesto come regular dot screens, leggermente fuori registro rispetto all’inchiostro. Il prompt esclude ogni scritta: No lettering anywhere.
Il prompt
THE MEDIUM IS A PRINTED COMIC BOOK PAGE. He is drawn with a brush-inked line that swells and tapers, cross-hatched in the shadows, and coloured in flat halftone: the tints are visible as regular dot screens, slightly misregistered against the ink. The paper is cream and absorbent, the ink has soaked very slightly into it. He stands inside a single ruled panel with a thick black border and a plain flat background colour behind him. No lettering anywhere.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A PRINTED COMIC BOOK PAGE. He is drawn with a brush-inked line that swells and tapers, cross-hatched in the shadows, and coloured in flat halftone: the tints are visible as regular dot screens, slightly misregistered against the ink. The paper is cream and absorbent, the ink has soaked very slightly into it. He stands inside a single ruled panel with a thick black border and a plain flat background colour behind him. No lettering anywhere.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Conserva vignetta, bordo, carta crema, retino e assenza di lettere.
/flatvector · Vettoriale piatto
Una figura intera vettoriale composta da forme chiuse di un solo colore. Le ombre sono seconde forme scure con bordo geometrico, su un campo a tinta unica con spazio vuoto attorno.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 160 parole
La mossa che c’è dentro. Il prompt elimina no gradients, no texture[12], no outline at all. La palette è limitata a sei colori più il giallo della felpa.
Il prompt
THE MEDIUM IS FLAT VECTOR ILLUSTRATION. Every shape is a closed path filled with one flat colour: no gradients, no texture, no outline at all, and the forms are simplified to the fewest curves that still read. Shadows exist only as a second, darker flat shape with a clean geometric edge. The palette is limited to six colours plus the yellow of the sweatshirt. He sits on a plain single-colour field with generous empty space around him.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS FLAT VECTOR ILLUSTRATION. Every shape is a closed path filled with one flat colour: no gradients, no texture, no outline at all, and the forms are simplified to the fewest curves that still read. Shadows exist only as a second, darker flat shape with a clean geometric edge. The palette is limited to six colours plus the yellow of the sweatshirt. He sits on a plain single-colour field with generous empty space around him.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Conserva forme chiuse, colori piatti e limite della palette.
/isometric · 3D isometrico
Una figura a basso dettaglio[11] su una piastrella romboidale. È vista dall’alto a tre quarti, con smussi arrotondati, palette pastello e luce uniforme su un campo chiaro.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 225 parole
La mossa che c’è dentro. L’apertura impone STRICT AXONOMETRIC PROJECTION. La piastrella ha bordi a exactly thirty degrees above the horizontal e ogni verticale resta verticale.
Il prompt
THE IMAGE IS DRAWN IN A STRICT AXONOMETRIC PROJECTION, THE ONE USED FOR ISOMETRIC GAME ART. There is NO perspective anywhere in it: no vanishing point, no convergence, and every pair of lines that is parallel in the world stays exactly parallel on the picture. Nothing at the back is drawn smaller than the same thing at the front.
The floor tile he stands on is a perfect rhombus: its left and right edges each run at exactly thirty degrees above the horizontal, and its front and side faces are equally visible. Every vertical edge in the scene is drawn perfectly vertical. He is a small clean low-detail figure standing on that tile, seen from a high three-quarter angle, with soft even light, gentle rounded bevels on every form and a pastel palette on a plain pale field.
What the figure depicts: a bald man with a wide rounded crown and no hair, thick rectangular black glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black headphones round his neck, dark jeans, plain sneakers. He has exactly two arms: one hand holds a tiny dark camera low at his side, the other arm holds a small flat laptop against his chest.
The whole rectangle is image: pure render, and NO letters, words, numbers or lettering of any kind appear anywhere in the picture.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE IMAGE IS DRAWN IN A STRICT AXONOMETRIC PROJECTION, THE ONE USED FOR ISOMETRIC GAME ART. There is NO perspective anywhere in it: no vanishing point, no convergence, and every pair of lines that is parallel in the world stays exactly parallel on the picture. Nothing at the back is drawn smaller than the same thing at the front.
The floor tile he stands on is a perfect rhombus: its left and right edges each run at exactly thirty degrees above the horizontal, and its front and side faces are equally visible. Every vertical edge in the scene is drawn perfectly vertical. He is a small clean low-detail figure standing on that tile, seen from a high three-quarter angle, with soft even light, gentle rounded bevels on every form and a pastel palette on a plain pale field.
[SOGGETTO: figura a basso dettaglio, con abiti e oggetti descritti]
The whole rectangle is image: pure render, and NO letters, words, numbers or lettering of any kind appear anywhere in the picture.Per usarlo su altro. Sostituisci il blocco che inizia con What the figure depicts: tramite il segnaposto. Mantieni proiezione, piastrella romboidale, angolo di vista e divieto di lettere.
/pixel8bit · Pixel art 8-bit
Uno sprite a figura intera su un pavimento a piastrelle e fondo scuro. Il torso giallo e il contorno lo rendono leggibile.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 160 parole
La mossa che c’è dentro. L’immagine usa grandi pixel quadrati su una griglia grossolana. Il prompt esclude no anti-aliasing, no smoothing e limita la palette a sedici colori.
Il prompt
THE MEDIUM IS 8-BIT PIXEL ART. The whole image is built from large square pixels on a coarse grid, and every pixel is placed by hand: no anti-aliasing, no smoothing, hard stair-stepped diagonals. The palette is limited to sixteen colours, dithered in checkerboard patterns where a gradient would otherwise be needed. The figure is a small sprite, readable by its outline and its yellow torso, standing on a simple tiled floor against a dark field.
What the sprite depicts: LUCA, full figure, standing, front view, feet visible. A bald man with a wide rounded crown and no hair at all, thick rectangular black glasses reading as a dark bar across the eyes, a short full dark-brown beard as a dark block under the chin, a bright yellow hooded sweatshirt, black headphones as two dark pixels at the neck, dark jeans, plain sneakers, a small dark camera in his right hand and a light grey laptop shape in his left arm.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS 8-BIT PIXEL ART. The whole image is built from large square pixels on a coarse grid, and every pixel is placed by hand: no anti-aliasing, no smoothing, hard stair-stepped diagonals. The palette is limited to sixteen colours, dithered in checkerboard patterns where a gradient would otherwise be needed. The figure is a small sprite, readable by its outline and its yellow torso, standing on a simple tiled floor against a dark field.
[SOGGETTO: sprite a figura intera, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco che inizia con What the sprite depicts: tramite il segnaposto. Conserva griglia, diagonali a gradini, palette e retino a scacchiera.
/bricks · Mattoncini a incastro
Una figura costruita con mattoncini di plastica a incastro, su una base con bottoni. Testa, occhiali, barba, felpa, cuffie, camera e laptop sono descritti come pezzi separati.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 175 parole
La mossa che c’è dentro. La plastica ha visible circular studs, linee di stampo e segni di colata. Prima della luce, il prompt fissa figura intera frontale con feet visible.
Il prompt
A PHOTOGRAPH OF A FIGURE BUILT FROM INTERLOCKING PLASTIC BRICKS. Every part is a moulded brick with a glossy injection-moulded surface, visible circular studs on the top faces, and the faint mould seams and sprue marks of real toy plastic. Nothing is curved except where a brick is moulded curved: the whole figure is stepped and blocky, built at the scale of a standard minifigure.
What the bricks are built to represent: his head is a single smooth cylindrical head piece in pale skin colour, printed with two dots for eyes, a thick black rectangular glasses shape and a short brown beard shape. His torso is a yellow brick torso with a printed hood cord, and a separate black neck piece stands in for headphones. Two dark blue leg bricks and two grey foot bricks. One clip hand holds a small black brick camera, the other a flat grey brick slab as a laptop.
Full figure, standing, front view, centred, feet visible, camera at its eye level. Bright even light on a plain studded baseplate.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A PHOTOGRAPH OF A FIGURE BUILT FROM INTERLOCKING PLASTIC BRICKS. Every part is a moulded brick with a glossy injection-moulded surface, visible circular studs on the top faces, and the faint mould seams and sprue marks of real toy plastic. Nothing is curved except where a brick is moulded curved: the whole figure is stepped and blocky, built at the scale of a standard minifigure.
[SOGGETTO: figura costruita con mattoncini, parti e oggetti descritti]
Full figure, standing, front view, centred, feet visible, camera at its eye level. Bright even light on a plain studded baseplate.Per usarlo su altro. Sostituisci l’elenco che inizia con What the bricks are built to represent: tramite il segnaposto. Conserva scala da minifigure, plastica stampata e posa frontale.
/felt · Pupazzi di feltro
Un pupazzo cucito con fogli di feltro di lana. Ogni parte è una forma piatta unita alla successiva con punto coperta colorato e visibile.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 217 parole
La mossa che c’è dentro. Il feltro è fuzzy and slightly pilled, con fibre che prendono la luce. Prima della luce, il prompt fissa figura intera frontale con feet visible.
Il prompt
A PHOTOGRAPH OF A HANDMADE FELT PUPPET. The object photographed is a soft figure sewn out of sheets of wool felt, cut with scissors and joined with visible coloured blanket stitch along every edge. The felt is fuzzy and slightly pilled, its fibres catching the light, and the shapes are stuffed and soft so nothing has a sharp corner. There is no modelling and no roundness beyond the stuffing: each part is a flat felt shape sewn to the next.
What the pieces are made to represent: his head is one piece of pale warm felt, wide and rounded at the top with nothing on it. Over it, a separate piece of stiff black felt cut as thick rectangular spectacle frames, standing proud of the face. Below, a piece of dark brown felt with visible fibres as a short full beard. His body is yellow felt panels stitched as a hooded sweatshirt in bright yellow, with two black felt discs resting around the neck as headphones. Two more pieces are dark jeans and plain sneakers. In one hand a small dark felt camera, in the other arm a flat felt laptop held open against his chest.
Full figure, standing, front view, centred, feet visible, camera at its eye level. Soft window light on a plain wooden table.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A PHOTOGRAPH OF A HANDMADE FELT PUPPET. The object photographed is a soft figure sewn out of sheets of wool felt, cut with scissors and joined with visible coloured blanket stitch along every edge. The felt is fuzzy and slightly pilled, its fibres catching the light, and the shapes are stuffed and soft so nothing has a sharp corner. There is no modelling and no roundness beyond the stuffing: each part is a flat felt shape sewn to the next.
[SOGGETTO: pupazzo di feltro, parti e oggetti descritti]
Full figure, standing, front view, centred, feet visible, camera at its eye level. Soft window light on a plain wooden table.Per usarlo su altro. Sostituisci l’elenco che inizia con What the pieces are made to represent: tramite il segnaposto. Conserva feltro, punto coperta, imbottitura, tavolo di legno e posa frontale.
/lowpoly · Low poly
Una figura intera fatta di alcune centinaia di triangoli piatti. Ogni superficie è sfaccettata e il profilo è angolare, davanti a un campo con gradiente.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 224 parole
La mossa che c’è dentro. L’apertura definisce UNTITLED LOW-POLYGON 3D RENDER e vieta testo. Ogni faccia riceve one flat shade with a hard edge per far leggere la forma come geometria.
Il prompt
THIS IS AN UNTITLED LOW-POLYGON 3D RENDER, THE WHOLE RECTANGLE IS IMAGE: pure render, blank of type. NO letters, NO words, NO numbers, NO name, NO caption, NO watermark and NO lettering of any kind appear anywhere in the picture, in any corner, on any surface or in the background. There is nothing written in this image.
The figure is built from a few hundred visible flat triangles: every surface is faceted, the silhouette is angular, and each facet takes one flat shade with a hard edge against its neighbours, so the form reads as geometry and never as skin or cloth. The palette is a handful of clean colours. Simple directional light, plain gradient field behind him.
What the polygons build: a bald man with a wide faceted rounded crown and no hair, thick rectangular black glasses as an angular dark shape across the eyes, a short full dark-brown beard as a faceted wedge under the chin, a bright yellow hooded sweatshirt, black headphones as two faceted discs at the neck, dark jeans, plain sneakers. He has exactly two arms: one hand holds a small dark camera low at his side, the other arm holds a flat laptop shape against his chest. Ordinary build with a soft belly and rounded shoulders. Full figure, standing, front view, feet visible, camera at his eye level.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THIS IS AN UNTITLED LOW-POLYGON 3D RENDER, THE WHOLE RECTANGLE IS IMAGE: pure render, blank of type. NO letters, NO words, NO numbers, NO name, NO caption, NO watermark and NO lettering of any kind appear anywhere in the picture, in any corner, on any surface or in the background. There is nothing written in this image.
The figure is built from a few hundred visible flat triangles: every surface is faceted, the silhouette is angular, and each facet takes one flat shade with a hard edge against its neighbours, so the form reads as geometry and never as skin or cloth. The palette is a handful of clean colours. Simple directional light, plain gradient field behind him.
[SOGGETTO: figura low-poly, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco che inizia con What the polygons build: tramite il segnaposto. Conserva triangoli visibili, bordi duri, pochi colori, luce direzionale e assenza di testo.
/origami · Origami
Una figura di carta piegata, con facce piane, pieghe nette e tracce di pieghe precedenti. Occhiali, barba, felpa, cuffie, camera e laptop sono richiesti come pezzi di carta.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 208 parole
La mossa che c’è dentro. Il prompt esclude taglio e colla: Nothing is cut and nothing is glued. Prima della luce, fissa figura intera frontale con feet visible.
Il prompt
A PHOTOGRAPH OF AN ORIGAMI FIGURE. The object photographed is folded from flat sheets of paper: every surface is a crisp planar facet, every edge a sharp crease with a faint sheen along it, and the paper shows the ghost of earlier fold lines. Nothing is cut and nothing is glued, and there is no curvature anywhere: roundness is approximated by many small flat facets.
What the folds are made to represent: his head is cream paper folded into a rounded dome, wide at the top with nothing on it. Over it, a separate piece of black paper folded as thick rectangular spectacle frames, standing proud of the face. Below, dark brown paper folded in narrow pleats as a short full beard. His body is yellow paper folded as a hooded sweatshirt in bright yellow, with two small folded black paper cups resting around the neck as headphones. Two more folded pieces are dark jeans and plain sneakers. In one hand a small dark folded-paper camera, in the other arm a flat folded-paper laptop held open against his chest.
Full figure, standing, front view, centred, feet visible, camera at its eye level. Raking side light so each crease casts a thin hard shadow, on a plain pale surface.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A PHOTOGRAPH OF AN ORIGAMI FIGURE. The object photographed is folded from flat sheets of paper: every surface is a crisp planar facet, every edge a sharp crease with a faint sheen along it, and the paper shows the ghost of earlier fold lines. Nothing is cut and nothing is glued, and there is no curvature anywhere: roundness is approximated by many small flat facets.
[SOGGETTO: figura di carta piegata, parti e oggetti descritti]
Full figure, standing, front view, centred, feet visible, camera at its eye level. Raking side light so each crease casts a thin hard shadow, on a plain pale surface.Per usarlo su altro. Sostituisci l’elenco che inizia con What the folds are made to represent: tramite il segnaposto. Conserva fogli piegati, pieghe visibili, luce laterale radente e posa frontale.
/cutout · Ritaglio di cartoncino
Un pupazzo piatto di cartoncino colorato, con braccia sovrapposte al corpo. Testa, occhiali, barba, felpa, cuffie, camera e laptop sono richiesti come sagome separate.
Ti serve una foto di partenza: No · Modello: Nano Banana Pro · Lunghezza: 191 parole
La mossa che c’è dentro. I bordi devono mostrare visible scissor edges. Prima della luce, il prompt fissa figura intera frontale con feet visible.
Il prompt
A PHOTOGRAPH OF A FLAT CUT-PAPER PUPPET, THE KIND USED FOR CRUDE CUT-OUT ANIMATION. Every part is a single flat shape cut from coloured cardstock with visible scissor edges, laid one on top of the other with no depth at all: the arms are separate shapes overlapping the body. The shapes are deliberately simple and a little clumsy, the colours flat and bright, and there is no shading anywhere.
What the pieces are cut to represent: his head is pale card cut as a plain oval, wide and rounded at the top with nothing on it. Over it, a separate piece of matte black card cut as thick rectangular spectacle frames. Below, dark brown card cut in one solid shape as a short full beard. His body is one flat yellow card shape as a hooded sweatshirt, with two black card circles at the neck as headphones. Two more pieces are dark jeans and plain sneakers. In one hand a small dark card camera, in the other arm a flat card laptop.
Full figure, standing, front view, centred, feet visible, camera at its eye level. Flat frontal light, plain coloured field.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A PHOTOGRAPH OF A FLAT CUT-PAPER PUPPET, THE KIND USED FOR CRUDE CUT-OUT ANIMATION. Every part is a single flat shape cut from coloured cardstock with visible scissor edges, laid one on top of the other with no depth at all: the arms are separate shapes overlapping the body. The shapes are deliberately simple and a little clumsy, the colours flat and bright, and there is no shading anywhere.
[SOGGETTO: pupazzo di cartoncino, parti e oggetti descritti]
Full figure, standing, front view, centred, feet visible, camera at its eye level. Flat frontal light, plain coloured field.Per usarlo su altro. Sostituisci l’elenco che inizia con What the pieces are cut to represent: tramite il segnaposto. Conserva cartoncino, sovrapposizioni, luce frontale, campo di colore piatto e posa frontale.
/cyberneon · Cyberpunk neon
Un dipinto digitale notturno a figura intera, illuminato solo da magenta a sinistra e ciano a destra. Dietro c’è una strada scura con insegne al neon sfocate senza scritte leggibili.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 173 parole
La mossa che c’è dentro. Le due fonti fanno tutto il lavoro: almost no neutral light anywhere. I margini luminosi hanno bloom e l’aria porta i colori in una foschia tenue.
Il prompt
THE MEDIUM IS A DIGITAL PAINTING LIT ONLY BY NEON. Two coloured sources do all the work: a magenta light from his left and a cyan light from his right, so one side of his face and beard is magenta and the other cyan, with almost no neutral light anywhere and deep black between them. Wet reflections and coloured bloom around every bright edge, a faint haze in the air carrying the colours. Behind him a dark street at night with out-of-focus neon signs, their shapes only, no readable lettering.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A DIGITAL PAINTING LIT ONLY BY NEON. Two coloured sources do all the work: a magenta light from his left and a cyan light from his right, so one side of his face and beard is magenta and the other cyan, with almost no neutral light anywhere and deep black between them. Wet reflections and coloured bloom around every bright edge, a faint haze in the air carrying the colours. Behind him a dark street at night with out-of-focus neon signs, their shapes only, no readable lettering.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Conserva le due luci, il nero fra loro e l’assenza di lettere.
/studioanim · Animazione calda da studio
Un fotogramma d’animazione a figura intera con forme morbide e arrotondate. Pelle, felpa, barba e occhi sono descritti in una luce calda, davanti a un interno domestico fuori fuoco.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 159 parole
La mossa che c’è dentro. La luce è a generous warm bounce so no shadow ever goes cold or hard. Gli occhi hanno un punto luce umido e la barba non è resa pelo per pelo.
Il prompt
THE MEDIUM IS A FRAME FROM A WARM STUDIO ANIMATED FEATURE. He is rendered with soft rounded appealing forms, the skin lit with a generous warm bounce so no shadow ever goes cold or hard, the sweatshirt a rich saturated yellow with soft simulated folds, the beard groomed and slightly stylised rather than hair-by-hair. Big clear expressive eyes with a wet highlight. The background is a warm domestic interior, richly dressed and softly out of focus.
The man is the man in the supplied reference image: bald with a wide rounded crown, thick rectangular black-framed glasses, a short full dark-brown beard, a bright yellow hooded sweatshirt, black over-ear headphones around his neck, dark jeans, plain sneakers, a small black camera low in his right hand and an open laptop held against his chest in his left arm. Full figure, standing, front view, centred, feet visible, camera at his eye level. Mouth slightly open in a warm smile, never severe.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
THE MEDIUM IS A FRAME FROM A WARM STUDIO ANIMATED FEATURE. He is rendered with soft rounded appealing forms, the skin lit with a generous warm bounce so no shadow ever goes cold or hard, the sweatshirt a rich saturated yellow with soft simulated folds, the beard groomed and slightly stylised rather than hair-by-hair. Big clear expressive eyes with a wet highlight. The background is a warm domestic interior, richly dressed and softly out of focus.
[SOGGETTO: uomo della foto di riferimento, con abiti e oggetti descritti]Per usarlo su altro. Sostituisci il blocco dell’uomo della foto di riferimento con il segnaposto. Conserva forme arrotondate, luce calda e interno domestico sfocato.
/artnouveau · Pannello decorativo
Un ritratto a mezzo busto in olio e foglia d’oro. Viso e mani restano dipinti con volume, mentre cardigan e sfondo diventano un mosaico piatto d’oro, spirali, occhi, quadrati e curve vegetali.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 236 parole
La mossa che c’è dentro. Il contrasto è dichiarato the whole point: volto e mani modellati contro ornamento senza profondità. La foglia d’oro è faintly cracked e il passaggio fra le due parti è brusco.
Il prompt
A DECORATIVE PANEL IN OIL AND REAL GOLD LEAF. WHAT SHE IS MADE OF, and the contrast is the whole point: HER FACE AND HANDS ARE PAINTED REALISTICALLY, softly modelled, warm and rounded — while EVERYTHING AROUND THEM IS COMPLETELY FLAT ORNAMENT with no depth whatsoever. The cardigan and the entire background dissolve into a flat mosaic of gold leaf, spirals, concentric eyes, small squares and sinuous plant curves. The gold is real beaten metal leaf, faintly cracked, and it catches the light differently from the paint around it. The join between the modelled face and the flat gold is abrupt and deliberate, not blended. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — the oval of the face, the straight strongly marked eyebrows, the high cheekbones, the long wavy dark-brown hair — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A DECORATIVE PANEL IN OIL AND REAL GOLD LEAF. WHAT SHE IS MADE OF, and the contrast is the whole point: HER FACE AND HANDS ARE PAINTED REALISTICALLY, softly modelled, warm and rounded — while EVERYTHING AROUND THEM IS COMPLETELY FLAT ORNAMENT with no depth whatsoever. The cardigan and the entire background dissolve into a flat mosaic of gold leaf, spirals, concentric eyes, small squares and sinuous plant curves. The gold is real beaten metal leaf, faintly cracked, and it catches the light differently from the paint around it. The join between the modelled face and the flat gold is abrupt and deliberate, not blended. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — [SOGGETTO: forma del viso, sopracciglia, zigomi e capelli] — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Per usarlo su altro. Sostituisci nel segnaposto i tratti che mantengono riconoscibile il volto. Il prompt conserva dalla foto solo la somiglianza e impone gli stessi abiti, senza gioielli né testo leggibile.
/cubismo · Pittura cubista
Un ritratto a mezzo busto con testa e cardigan costruiti da piani piatti angolari. Fronte e profilo coesistono nella stessa testa, senza luce unica né profondità.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 245 parole
La mossa che c’è dentro. Il naso è a flat wedge seen edge-on e i piani di sfondo si intrecciano alle spalle. Figura e fondo sono chiesti come la stessa materia.
Il prompt
A CUBIST OIL PAINTING. WHAT SHE IS MADE OF: her head is taken apart into FLAT ANGULAR PLANES of ochre, grey-green and warm brown, each plane a single flat tone with hard straight edges, and reassembled so that TWO VIEWS EXIST IN THE SAME HEAD AT ONCE: the front of her face and her profile share it, one eye seen frontally and the other seen from the side, the nose drawn as a flat wedge seen edge-on. The cardigan becomes a stack of yellow facets. There is no single light and no depth: the background is more flat planes, interlocking with her shoulders so that figure and ground are made of the same thing. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — the oval of the face, the straight strongly marked eyebrows, the high cheekbones, the long wavy dark-brown hair — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A CUBIST OIL PAINTING. WHAT SHE IS MADE OF: her head is taken apart into FLAT ANGULAR PLANES of ochre, grey-green and warm brown, each plane a single flat tone with hard straight edges, and reassembled so that TWO VIEWS EXIST IN THE SAME HEAD AT ONCE: the front of her face and her profile share it, one eye seen frontally and the other seen from the side, the nose drawn as a flat wedge seen edge-on. The cardigan becomes a stack of yellow facets. There is no single light and no depth: the background is more flat planes, interlocking with her shoulders so that figure and ground are made of the same thing. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — [SOGGETTO: forma del viso, sopracciglia, zigomi e capelli] — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Per usarlo su altro. Sostituisci nel segnaposto i tratti del volto mantenuti dalla foto. Il prompt esclude luce, pelle, inquadratura e sfondo della reference, oltre a testo, firma e cornice.
/espressionismo · Pittura espressionista
Un ritratto a mezzo busto con pennellate spesse e veloci. Il volto usa verde acido e rosa acceso, la guancia ha ombra blu, cardigan giallo e sfondo a diagonali rosse e nere.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 233 parole
La mossa che c’è dentro. Le setole e i rilievi della pittura devono restare visibili. Gli occhi, mandibola e collo sono alterati, poi contorni blu scuro vengono tracciati OVER the wet paint.
Il prompt
AN EXPRESSIONIST OIL PAINTING, PAINTED FAST AND THICK. WHAT SHE IS MADE OF: heavy loaded brushstrokes in which the bristle marks and the ridges of paint are clearly visible, the colour chosen for FEELING and not for accuracy — her face in acid green and hot pink, the shadow along her cheek in pure ultramarine, the cardigan in raw cadmium yellow, the background in slashing diagonal strokes of red and black. Her features are pushed: the eyes larger than life, the jaw longer, the neck stretched. Dark blue outlines are drawn back OVER the wet paint to pull the face together again. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — the oval of the face, the straight strongly marked eyebrows, the high cheekbones, the long wavy dark-brown hair — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
AN EXPRESSIONIST OIL PAINTING, PAINTED FAST AND THICK. WHAT SHE IS MADE OF: heavy loaded brushstrokes in which the bristle marks and the ridges of paint are clearly visible, the colour chosen for FEELING and not for accuracy — her face in acid green and hot pink, the shadow along her cheek in pure ultramarine, the cardigan in raw cadmium yellow, the background in slashing diagonal strokes of red and black. Her features are pushed: the eyes larger than life, the jaw longer, the neck stretched. Dark blue outlines are drawn back OVER the wet paint to pull the face together again. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — [SOGGETTO: forma del viso, sopracciglia, zigomi e capelli] — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Per usarlo su altro. Sostituisci nel segnaposto i tratti del volto da conservare. Il prompt mantiene solo la somiglianza della foto e prescrive abiti, posa a mezzo busto e assenza di parole leggibili.
/popart · Serigrafia a quattro colori
Un ritratto a mezzo busto stampato con quattro inchiostri piatti: pelle, giallo, ciano e contorno nero. Capelli, cardigan e sfondo sono ciascuno una forma di colore.
Ti serve una foto di partenza: Sì, una · Modello: Nano Banana Pro · Lunghezza: 243 parole
La mossa che c’è dentro. I mezzi toni sono BENDAY DOTS, abbastanza grandi da contare. Il contorno nero resta circa un millimetro lontano dal colore sotto e l’inchiostro ha un bordo visibile sulla carta.
Il prompt
A FOUR-COLOUR SILKSCREEN PRINT ON THICK PAPER. WHAT SHE IS MADE OF: exactly four flat inks and nothing else — one flat skin tone, one flat yellow, one flat cyan, and a HEAVY BLACK OUTLINE printed over the top. There are no gradients: every mid-tone is made of BENDAY DOTS, coarse enough to count one by one. Her hair is a single flat black shape, her cardigan a single flat yellow shape, the background one flat unbroken colour. The registration is very slightly off, so the black outline sits about a millimetre away from the colour underneath it, and the ink sits on the surface of the paper with a visible edge. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — the oval of the face, the straight strongly marked eyebrows, the high cheekbones, the long wavy dark-brown hair — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Lo stesso comando, da riempire
Sostituisci solo quello che sta fra parentesi quadre. Se il soggetto non è una donna cambia anche i pronomi (her → his, she → he); tutto il resto va lasciato com’è, maiuscole comprese.
A FOUR-COLOUR SILKSCREEN PRINT ON THICK PAPER. WHAT SHE IS MADE OF: exactly four flat inks and nothing else — one flat skin tone, one flat yellow, one flat cyan, and a HEAVY BLACK OUTLINE printed over the top. There are no gradients: every mid-tone is made of BENDAY DOTS, coarse enough to count one by one. Her hair is a single flat black shape, her cardigan a single flat yellow shape, the background one flat unbroken colour. The registration is very slightly off, so the black outline sits about a millimetre away from the colour underneath it, and the ink sits on the surface of the paper with a visible edge. THE LIKENESS COMES FROM THE SUPPLIED PHOTOGRAPH AND NOTHING ELSE DOES. Keep her recognisable — [SOGGETTO: forma del viso, sopracciglia, zigomi e capelli] — and KEEP NOTHING ELSE FROM THAT PHOTOGRAPH: not its light, not its skin, not its framing, not its background. She is not made of flesh in this picture: she is made of the material described here. She wears the same clothes in every one of these pictures: a mustard-yellow ribbed knit cardigan open over a plain white vest top. No evening dress, no gown, no bare shoulders, no jewellery. Chest-up, she faces the viewer, calm and with the faintest half-smile. AND NO FRAME, NO MOUNT, NO CAPTION, NO SIGNATURE AND NO READABLE WORDS OR LETTERS APPEAR ANYWHERE.Per usarlo su altro. Sostituisci nel segnaposto i tratti del volto da conservare. Il prompt esclude il resto della foto e richiede abiti, posa, assenza di gioielli, firma, didascalia e parole leggibili.
Le immagini di questa pagina sono generate con AI e riviste una per una. I personaggi che vi compaiono sono personaggi di Making of Magazine e non sono persone reali; Luca è reale. Il metodo con cui questi comandi sono scritti è spiegato in Come sono scritti questi prompt.
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(leading lines) Elementi visivi presenti nell'inquadratura (come strade, corridoi, scale, fiumi, o la direzione di uno sguardo) che agiscono come "sentieri" visivi, guidando l'occhio dello spettatore attraverso l'immagine, solitamente verso il soggetto principale. Conferiscono un senso di profondità e direzione.
